Monday, April 22, 2013

Nancy Morejón reads her poem "Mujer negra"


In this brief documentary film, Nancy Morejón reads one of her most famous poems.

Nancy Morejón, (Cuba: 1944--)


Mujer negra
Todavía huelo la espuma del mar que me hicieron atravesar.
La noche, no puedo recordarla.
Ni el mismo océano podría recordarla.
Pero no olvido el primer alcatraz que divisé.
Altas, las nubes, como inocentes testigos presenciales.
Acaso no he olvidado ni mi costa perdida, ni mi lengua ancestral
Me dejaron aquí y aquí he vivido.
Y porque trabajé como una bestia,
aquí volví a nacer.
A cuanta epopeya mandinga intenté recurrir.
                        Me rebelé.
Su Merced me compró en una plaza.
Bordé la casaca de su Merced y un hijo macho le parí.
Mi hijo no tuvo nombre.
Y su Merced murió a manos de un impecable lord inglés.
                        Anduve.
Esta es la tierra donde padecí bocabajos y azotes.
Bogué a lo largo de todos sus ríos.
Bajo su sol sembré, recolecté y las cosechas no comí.
Por casa tuve un barracón.
Yo misma traje piedras para edificarlo,
pero canté al natural compás de los pájaros nacionales.
                        Me sublevé.
En esta tierra toqué la sangre húmeda
y los huesos podridos de muchos otros,
traídos a ella, o no, igual que yo.
Ya nunca más imaginé el camin a Guinea.
¿Era a Guinea? ¿A Benín? ¿Era a
Madagascar? ¿O a Cabo Verde?
Trabajé mucho más.
Fundé mejor mi canto milenario y mi esperanza.
Aquí construí mi mundo.
                        Me fui al monte.
Mi real independencia fue el palenque
y cabalgué entre las tropas de Maceo.
Sólo un siglo más tarde,
junto a mis descendientes,
desde una azul montaña.
                        Bajé de la Sierra
Para acabar con capitales y usureros,
con generales y burgueses.
Ahora soy: sólo hoy tenemos y creamos.
Nada nos es ajeno.
Nuestra la tierra.
Nuestros el mar y el cielo.
Nuestras la magia y la quimera.
Iguales míos, aquí los veo bailar
alrededor del árbol que plantamos para el comunismo.
Su pródiga madera ya resuena.

[1979, English translation here]

Sunday, April 21, 2013

"I dialetti italiani"

Last night I saw a wonderful film, Caesar Must Die (Cesare deve morire) by the Taviani brothers. Awarded the Golden Bear at the Berlin film festival, this movie presents a staging of Julius Caesar in an Italian maximum security prison, with the prisoners as actors. All the players are "real" prisoners, the location is real, the event is real, but this is not a documentary. It is unclear how much is scripted and how much is improvised. There are many wonderful things about this film, from the amazing score, to the faces and bodies of the men who are putting themselves "on stage" and acting for the film.

One aspect of the film that I really wish I could have understood better  was the fact that all the men are told from the beginning to act using their own way of speaking Italian: whether they are from Rome, Naples, the country or the city, etc, they spoke their lines in their "own language." Some of these might be accents, or dialects, or even distinct regional languages (there is considerable debate about these categories).  I could hear some of the differences, but I know that a native Italian could probably read those accents like a  map of geography and class.


This comedian, Enrico Brignano, gives some exaggerated examples of regional accents and dialects as a kind of tour from north to south. I can understand standard Italian, but I can only catch a word or two in what he's saying. The audience seems to think he's doing a great job!

 Here are some native speaker examples,  of various regions/cities from the media:


This got me thinking also about the many Italian-American accents, some of which are identified with cities or neighborhoods. My mother's family lived in Connecticut, but the extended family lived in New York City. I need to ask her what neighborhood they lived in because I don't remember (I THINK it was somewhere in Brooklyn, but I'm not sure). But I do know that they were from Naples and a small town in Calabria, so their Italian was southern Italian, and their Italian accents in English were probably very specific to the neighborhood where they lived because they were surrounded by people from their region.


Even though I grew up completely separated from the rest of my mother's family and did not grow up with other second-generation Italians, it has been interesting discovering how much of that culture was passed on through my mother without me realizing it, including some gestures and body language.

The body language in the film was also extraordinarily expressive.

The following videos were favorably rated by commenters as accurate:



This is an old favorite. A Neapolitan shows us a complete range of gestures.


Saturday, April 20, 2013

"The Video Guatemala's President Doesn't Want You To See"--and a little about why.

After twenty days, the dramatic trial in Guatemala of former dictator General Efraín Ríos Montt,  has been suspended. We will see if this effort to derail the legal process is successful, but twenty days of extraordinary testimony by victims, survivors, witnesses, forensic experts, and journalists with film footage of interviews with the perpetrators and with Ríos Montt himself, have given a new, international and national public forum for evidence of the events. For details of the trial itself, see the series of posts "Genocide on Trial" here at NISGUA (an international solidarity organization); they provide day-by-day summaries of the trial and coverage of events in Guatemala around the proceedings. Guatemala's Attorney General, Claudia Paz y Paz, in unlikely to let the attempts to derail justice stand without her vigorous opposition, but events in Guatemala are always accompanied by the cloud of fear that comes from decades of savage state repression.

Ríos Montt attended the infamous U.S. School of the Americas, in the early 50s, and played a minor role in the U.S.-sponsored coup against Jacobo Arbenz, a watershed event in the history of U.S. sponsorship of terrorism in Latin America  The goal of that coup was to undo the land reforms Arbenz was implementing, including expropriations of uncultivated land by United Fruit Company. United Fruit drove the project Operation "PBSuccess",  the means the CIA used to orchestrate the coup, both in terms of propaganda and military action, with the authorization of U.S presidents Truman and Eisenhower. Nicaraguan dictator Somoza and Dominican dictator Trujillo played roles in the coup as well, just to remind us that because U.S. support for dictators did not start with the Cold War. But, I digress.

If you want to know more about the historical context for these events, I recommend reading historian Greg Grandin's book Empire's Workshop:Latin America, the United States, and the Rise of the New Empire (Metropolitan 2005).

For a more dramatic presentation of interviews with participants in the coup as well as a multitude of other historical actors, it is well worth watching this part of he 3-part documentary film directed by Allan Francovich,  "The Houses are Full of Smoke".  (see the other parts all here), presents the events as told by participants in the coup. It's 60 minutes, but watch it!




During the 36 years of the ensuing civil war in Guatemala , the military controlled the government, but internal struggles over power led to a series of coups as factions fought for power. Ríos Montt seized power himself by military coup in 1982, and implemented a scorched-earth campaign of murder, torture and terror in the Guatemalan highlands against the Maya-speaking peoples, including the Ixil, (as well as against any political opposition). He was kicked out by a different group of military For years, his responsibility in orchestrating these crimes have been well-documented, but he has had immunity from prosecution due to holding office. Now, with his prosecutorial immunity lapsed, and society and the justice system in Guatemala attempting to assert the rule of law, he is facing his accusers in court for the first time.

Current president Otto Pérez Molina was a participant in the Ixil campaigns, but was later a part of a sector in the military that wanted to end a conflict that and has been accused of complicity in a series of other crimes including murders of opposition leaders, including Everardo Bamaca The attempt to annul the trial is being seen as an attempt to prevent future prosecutions.

The text that follows this video is the description and transcript of the video provided by Democracy Now!




The Video Guatemala's President Doesn't Want You To See

Published on Apr 19, 2013
Watch the full interview with reporter Allan Nairn talking about his 1982 interview with Guatemala's new president, Otto Pérez Molina, on Democracy Now! at http://owl.li/kesMR. In 1982, Nairn interviewed a Guatemalan general nicknamed "Tito" on camera during the height of the indigenous massacres. It turns out the man was actually Otto Pérez Molina, the current president of Guatemala. We air the original interview footage and speak to Nairn about the U.S. role backing the Guatemalan dictatorship. Nairn was scheduled to testify this week in the genocide trial of former Guatemalan dictator Efraín Ríos Montt.

Nairn flew to Guatemala for the Ríos Montt trial after he was called to testify. But at the last minute, Nairn was kept off the stand "in order," he was told, "to avoid a confrontation" with the president -- General Pérez Molina -- and for fear that if he took the stand, military elements might respond with violence. "They knew that I could implicate Pérez Molina further, because I had met him in the highlands during the massacres when he was operating under a code name, and I interviewed soldiers under his commands who described how under orders they executed and tortured civilians," Nairn says.

AMY GOODMAN: This is a huge charge. I mean, right now, it's an historic trial when it's 25 years after a past president is now being charged. Let's go to a clip of Otto Pérez Molina, the current president of Guatemala, but this is 1982 in the heartland area of Quiché in northwest Guatemala, northwest of Guatemala City. In this video clip, Otto Pérez Molina is seen reading from political literature found on one of the bodies. This is your interview with him.

MAYOR OTTO PÉREZ MOLINA: [translated] "The poor artisan fights alongside the worker. The poor peasant fights alongside the worker. The wealth is produced by us, the poor. The army takes the poor peasants. Together, we have an invincible force. All the families are with the guerrilla, the guerrilla army of the poor, toward final victory forever." These are the different fronts that they have.

ALLAN NAIRN: [translated] So here they are saying that the army killed some people.

MAYOR OTTO PÉREZ MOLINA: [translated] Exactly.

Democracy Now!, is an independent global news hour that airs weekdays on 1,100+ TV and radio stations Monday through Friday. Check out our vast news archive and stream live 8-9am ET at http://www.democracynow.org.

Music for Saturday: The Magnetic Fields

Stephin Merrit has the most gorgeous voice.

"With whom to dance"

"Andrew in drag"

Here is Stephin Merrit, performing "Andrew in Drag" in The Guardian's studio.  So dry!

Thursday, April 18, 2013

Dearly beloved, we recognize New Zealand

New Zealand lawmakers vote to make same-sex marriage legal,  77 to 44.  And then they sing this beautiful love song.

 The song is "Pokarekare Ana" and is in the Maori language.

Thursday, April 11, 2013

Melissa McCarthy FTW




April 11 Snow Day

Prince - sometimes it snows in april

I heard some thunder this morning. Thundersnow! I just like saying the word.

The year I got my very first car, I was invited to give a talk at UofM Morris in April. I think it was April 8. I remember the date because I drove up there, very proud of myself for my first driving trip out of town, and spent the night with a former graduate student who was now a professor there. When I woke up, it had snowed. I was completely surprised. It was still snowing when I set out, blithely, for the Twin Cities, because I had to teach later that day. My first inkling that this was serious weather that I could hardly see in front of me as I crept along the country road. Then, on the freeway, I crawled passed one big rig after another, in the ditch. Finally I pulled into a gas station and called the department to let them know I would not make it back in time for class; we were in the throes of an April blizzard.
A blizzard in April! Who knew there could be such a thing? Certainly not this San Francisco transplant. I made it home safely, but I had learned  that there can be a blizzard in April in Minnesota. I also learned that you never take a trip, in any month, without looking at the weather forecast.


Monday, April 08, 2013

Axis of evil

What a horrible legacy. Tariq Ali on Democracy Now:


Billy Bragg, "Between the Wars"

I was a miner, I was a docker 
I was a railway man between the wars 
I raised a family in times of austerity 
With sweat at the foundry between the wars
I paid the union and as times got harder 

I looked to the government to help the working man  
But they brought prosperity down at the armoury 
We're arming for peace, me boys between the wars
I kept the faith and I kept voting  

Not for the iron fist but for the helping hand 
For theirs is a land with a wall around it 
And mine is a faith in my fellow man
Theirs is a land of hope and glory  

Mine is the green field and the factory floor 
Theirs are the skies all dark with bombers 
And mine is the peace we knew between the wars
Call up the craftsmen, bring me the draftsmen 

Build me a path from cradle to grave  
And I'll give my consent to any government  
That does not deny a man a living wage
Go find the young men never to fight again  

Bring up the banners from the days gone by 
Sweet moderation, heart of this nation  
Desert us not, we are between the wars
"Stand down, Margaret" The English Beat


said i see no joy
I see only sorrow
 I see no chance of your bright new tomorrow

So stand down Margaret
Stand down please
Stand down down down down down
Down down down down down

I say stand down Margaret
Stand down please
Stand down down down down down
Down down down down down

Stand down Margaret
Stand down please
Stand down Margaret

I say stand down Margaret
Stand down please
Stand down down down down down
Down down down down down
Down down down down down
Down down down down down
Down down down down down

[instrumental]

You tell me how can it work in this all white law
What a short sharp lesson,
What a third world war

I sometimes wonder if I'll ever get the chance
Just to sit with my children in a holiday jam
Our lives seem petty in your gcld grey hands
Would you give a second thought
Would you ever give a damn, I doubt it
Stand down Margaret -
Everybody shout it
Stand down Margaret!

[instrumental]

Work, white law
Shell shock
World war
War, war, war, war, war
War, war, war, war, war
War, war, war, war, war
War, war, war, war, war
War, war, war, war, war

Stand down please

Stand down Margaret
Stand down please
Stand down Margaret

I say stand down Margaret
Stand down please
Stand down Margaret

Stand down Margaret
Stand down please
Stand down Margaret

I say stand down Margaret
Stand down please
Stand down Margaret

Sunday, April 07, 2013

"Nooooo TV party toniiiiiiiiiiite"

No cable, so I will NOT be watching Game of Thrones OR Mad Men tonight. Have fun, y'all.